Lives and works in São Paulo.

Dan Coopey lives and works in São Paulo, Brazil. Solo exhibitions: Mackintosh Lane, London (2024), Roland Ross, Margate, UK (2024), previous solo exhibitions include, The Double, Central Gallery. São Paulo (2023), Brunches at Wonderwerk, Espaçao C.A.M.A, São Paulo (2021), Sunday at Galeria Estação, São Paulo (2019), Interiors at Pivô, São Paulo (2017); Dry at Kubikgallery, Porto (2017); lalahalaha at Belmacz, London (2015); Laura_UpsideDown at the Institute of Jamais Vu, London (2012); Position 1 at The Agency, London (2010); and Doodad at the Hayward Gallery project space (2009). In 2011, Dan Coopey was commissioned by Up Projects and Arts Council England to produce a touring public installation work.

Recent group exhibitions: Tiny Creatures, Kupfer pop up, São Paulo (2023), The Immortal, Elizabeth Xi Bauer, London (2022), Joseph Beuys (a reader), Belmacz, London (2021), Tramas e Travessias Part 1 (A Troca), massape Projetos, São Paulo, Mingei Now, curated by Nicolas Trembley at Sokyo Gallery, Kyoto (2019), (o) curated by Caterina Duncan at Galeria Leme, São Paulo (2018), Rhapsodies at Ping Pong, Brussels (2018) ); The Peaceful Dome at The Bluecoat, Liverpool (2017); Neither curated by Fernanda Brenner at Mendes Wood DM, Brussels (2017); Fourth Drawer Down at Nottingham Contemporary (2014); The World is Almost 6000 Years Old at The Collection, Lincoln, as part of a citywide exhibition curated by Tom Morton (2013); Binary at ReMap4, Athens (2013); Slate, a collaboration with Laura Buckley and Rob Smith as part of Festivela at Gallery Vela, London (2012) and Turner Contemporary, Margate (2013); Glaze curated by George Henry Longly at Galerie Chez Valentin, Paris, and Bischoff Weiss, London (2011/12); and Things That Have Interested Me at Waterside Contemporary, London (2012)