Newsletter
By signing up to our newsletter, you will be the first to have access to our exhibitions, online viewing rooms, available works, events and much more.

    Follow our artists
    By signing up to our newsletter, you will be the first to have access to our exhibitions, online viewing rooms, available works, events and much more.


      Manuella Silveira

      (1999, São Paulo, Brasil)

      Unha (Casa do Mickey Mouse), 2023

      Oil on canvas
      30 × 30 cm

      Beija minha flor na noite escura, 2023

      Oil on canvas
      80 × 60 cm

      12 o’clock, 2023

      Oil on canvas
      60 × 60 cm

      Bico Laranja na Taça da Nike, 2023

      Oil on canvas
      60 × 60 cm

      Aqui, 2023

      Oil on canvas
      100 × 100 cm

      Mão de ferro (cavala), 2023

      Oil on canvas
      20 × 20 cm

      Unha vermelha, 2023

      Oil on canvas
      20 × 20 cm

      Sino e Bandeira-Borboleta, 2023

      Oil on canvas
      20 × 20 cm

      Manuella Silveira Futebol, 2023

      Oil on canvas
      20 × 20 cm

      Mangueira na cabeça, 2023

      Oil on canvas
      20 × 20 cm

      Pólvora lá no fundo, 2023

      Oil on canvas
      20 × 20 cm

      Little pinturinha do cisne, 2023

      Oil on canvas
      20 × 20 cm

      Oh kay!, 2023

      Oil on canvas
      20 ×20 cm

      Enterro (ovo), 2023

      Oil on canvas
      20 ×20 cm

      Pijama, patas, e unhas, cacau, 2023

      Oil on canvas
      20 × 20 cm

      Bandeirola (mamilo), 2023

      Oil on canvas
      20 × 20 cm

      De peruca rosa saí do mato, 2023

      Oil on canvas
      20 × 20 cm

      Revoada, 2023

      Oil on canvas
      20 × 20 cm

      Biography

      Manuella Silveira, born in 1999, lives and works in São Paulo. With a practice that unfolds mainly in oil painting on canvas, the artist works with thick layers of paint and surfaces full of textures. Between painted planes and gestures that draw the heterogeneous surfaces of her works, Manuella presents a hybrid universe, both in terms of the limits between abstraction and figuration – and in the possibilities of reading. The gestures, from repetitive and incessant to sudden and disinterested, point to the formation of a multidirectional, psychological and dreamlike territory permeated by elements belonging to the performing arts – stages, curtains, masks – conjured from the world and nature of the country to which she belongs.

      Exhibitions