Observatório de Tangentes (série Compêndio de Observações Fotográficas), 2017
9 inkjet printed photographs on EPSON Hot Press Brigh White paper (300gr.)
Variable Dimensions
Modos de Ver #1, #2 e #3 (série Compêndio de Observações Fotográficas), 2018
Photograph printed in inkjet on EPSON Hot Press Brigh White paper (300gr.)
100 x 90 cm
Snapshot (série Compêndio de Observações Fotográficas), 2018
12 photographs printed in inkjet, on EPSON Hot Press Brigh White paper (300gr.)
33 x 28 cm
Disparador (série Compêndio de Observações Fotográficas – Luz e Cegueira), 2018
Photograph printed in inkjet, on EPSON Semi-Gloss paper (250gr.)
112 x 86 cm
Flash! Bang! #1 (série Compêndio de Observações Fotográficas – Luz e Cegueira), 2018
Photograph printed in inkjet, on EPSON Semi-Gloss paper (250gr.)
140 x 110 cm
Fade to Black (série Compêndio de Observações Fotográficas), 2016
Inkjet printed photo on Epson Semi-Gloss paper
12,5 x 15 cm
Vácuo (série Compêndio do Nada), 2014
Inkjet printed photograph on EPSON Semi-Gloss Photo paper (250gr.)
100 x 70 cm
Prospeções #7 (série Compêndio do Nada), 2011
Photograph printed in inkjet, on EPSON Semi-Gloss paper (250gr.)
87 x 80 cm
Mapas Precedentes #1 (série Compêndio do Nada), 2014
Photograph printed in inkjet, on EPSON Hot Press Bright White paper (300gr.)
87 x 100 cm
Flash! Bang! #3 (Compêndio de Observações Fotográficas – Luz e Cegueira), 2018
Inkjet print on EPSON Semi-Gloss (250gr.) paper
Resquício #5 da série Da Fábrica: Promessa e Resquício, 2014
Inkjet print on Epson paper Semi Gloss
Flash, 2018
Inkjet print on EPSON Hot Press Brigh White (300gr.) paper
Biography
Valter Ventura (Lisbon, 1979)
Valter Ventura graduated in Art History from the Faculty of Arts of the University of Lisbon.
In 2005, as a scholarship holder from Banco Espírito Santo, he completed the Advanced Photography Course at Ar.Co – Center for Art and Visual Communication.
He is a specialist professor in the Higher Photography Course at the Polytechnic Institute of Tomar, also collaborating with Ar.Co. and the Faculty of Fine Arts of the University of Lisbon.
In 2008, he participated (in pairs with José Nuno Lamas) in the Photography Course of the 2nd Creativity and Artistic Creation Program of the Calouste Gulbenkian Foundation.
Between 2012 and 2014 he was responsible for photographic documentation at Carpe Diem – Arte e Pesquisa.
Between 2016 and 2018 he was a resident artist at HANGAR – Centro de Investigação Artística.
Together with Duarte Amaral Netto, João Paulo Serafim and Rodrigo Tavarela Peixoto, he founded the photography collective HÉLICE and the magazine PROPELLER (coordinated by Sofia Silva).